Friday, March 20, 2026

Review: Judaism as a Civilization: Toward a Reconstruction of American Jewish Life

Judaism as a Civilization: Toward a Reconstruction of American Jewish LifeJudaism as a Civilization: Toward a Reconstruction of American Jewish Life by Rabbi Mordecai M. Kaplan
My rating: 5 of 5 stars

Mordecai Kaplan was incredibly prolific over his long life but is likely best known for his tome: Judaism as a Civilization: Toward a Reconstruction of American-Jewish Life. And rightly so. This is a transformative work that was incredibly influential. While Reconstructionist Judaism as a Jewish denomination didn’t catch on in large numbers, so much of what Kaplan argues for here gets adopted or absorbed, to some degree or another, by other denominations, but in particularly Reform, that Kaplan’s vision might be even more successful than what we might think if we just count organized congregations.

The book was first published in 1934, with several reprintings. One of the striking things about the book is that it doesn’t usually feel that dated or that old. In the first part of the book, Kaplan examines and diagnoses many problems within the Jewish world. So much of this could have been about problems we still face today (problems arising from intermarriage, Jews feeling disengaged by the Jewish establishment, feeling torn between the needs of a modern world and the pull of one’s Jewish heritage). And so many of Kaplan’s answers are still relevant.

There is so much that Kaplan covers in this 500+ work, so I want to focus on some of the core themes.

The core theme is Judaism in the modern world: how can being Jewish be meaningful in the modern world where many of the traditional explanations, justifications, and approaches to Jewish practice and thought ring hollow. Kaplan sees two main organized responses: what he calls neo-Orthodoxy and Reform.

Neo-Orthodoxy retreats to, or more charitably, continues to find the traditional justifications normative. Kaplan regards this as untenable post-enlightenment. Kaplan’s view of God and theology is, or has been called, a kind of religious naturalism. He is not atheistic in the way that a Sam Harris or Rabbi Sherwin Wine (the founder of Humanistic Judaism) would be described. His view is more Spinoza-like: God is the way we understand the full-total of the powers and forces of the universe: “God is the life of the universe, immanent insofar as each part acts upon every other, and transcendent insofar as the whole acts upon each part” (316). Holiness, sacredness are the ways we experience the worthiness of life, the significance of the world.

But he has far more scathing things to say about the Reform movement (at least the Reform movement in the early part of the 20th century). The Reform movement is also an attempt to deal with Judaism in the modern world. But Kaplan sees this movement as based on fatal mistaken premise: Judaism is just a religion. It is merely another confessional, monotheistic faith. In the most radical forms: Judaism comes to be, in my words, just a really weird form of Protestantism. Kaplan sees this premise as leading to (at his time) the Reform movement’s rejection of the important role of Jewish law, history, Talmudic study, connection to Israel as the ancestral Jewish homeland, etc. All that is left is some vague notion of monotheism and tikkun olam (social justice), none of it particularly rooted. (The contemporary Reform movement seems to have moved away from these rejections – I think in large part to Kaplan’s (and those influenced by him) criticisms.)

Instead, Kaplan proposes a different path. We need to reinterpret, reconstruct, Judaism and Jewish life by understanding the spiritual and real-world needs that the earlier forms of Judaism (Temple period, exile period, Rabbinical periods) were meant to meet; and reconstructing modern forms of Judaism to meet these needs. Kaplan sees human nature, and our needs as humans, as relatively stable: we share the same spiritual needs as our forebears. But our world, our environment is different and so the ways to meet and satisfy these needs has to be different. Kaplan argues that by doing this, we maintain continuity with our past and our traditions but are able to live vital, flourishing modern Jewish lives.

Another core idea in Kaplan is the idea of Judaism as a Civilization. Here Kaplan is grappling with one of the thorniest issues in understanding Judaism. It can’t just be a revealed religion or just a form of ethical monotheism. This strips Judaism of its uniqueness; its history, its language, literature, its folkways, etc. It fails to explain the connection Jews feel for each other and their historic connection to Eretz Israel. Nor it is an ethnicity or ‘race’: this fails to account for the vast diversity of Jews or the reality of conversion. Kaplan’s answer is to understand it as a civilization: a way of life for a connected people: “the social framework of national unity centering in a particular land, a continuing history, a living language and literature, religious folkways, mores, laws and art” (513). It’s more common in contemporary parlance to talk about this as ‘peoplehood.’ Jews are, as Dara Horn puts, “a joinable tribal group with a shared history, homeland, and culture.”

Much of the book is fleshing out these ideas. The first part diagnoses the problems facing the American Jewish world in the early 20th century and the various ways contemporaneous Jewish movements addressed these (or in Kaplan’s view fail to address these). The second half of the book is Kaplan’s articulation of how a reconstructed Judaism could work: how it would deal with the problems raised by modernity, but remain rooted in Israel, God, and Torah.

I found the book endless thought-provoking and intriguing. I certainly don’t agree with all of it; but there is a lot I do agree with: I can't accept orthodoxy or the traditional justifications, but I find Reform empty and bland. I wish more of his advice had been taken in a more widespread way by the American Jewish community: I think it would be more vital, more engaged, and more Jewish. I even looked up to see if there was Reconstructionist synagogue near me (there isn’t). (though I am not sure how much the contemporary movement is still aligned with Kaplan’s ideas in this book – some of what I’ve read about it makes me quite skeptical.)

Obviously, this is not a book for everyone; no casual read is this. It’s long, though not difficult. It gets into the weeds of things, some of which is no longer relevant. While there are some dated ideas and language, it doesn’t feel overall dated. The most dated elements are probably some of the more sociological frameworks that Kaplan relies on. But if you are keenly interested in the history of American Judaism and how one might understand Judaism in the modern world, I’d recommend diving into this.


View all my reviews

Monday, March 09, 2026

Review: The Radicalism of the American Revolution

The Radicalism of the American RevolutionThe Radicalism of the American Revolution by Gordon S. Wood
My rating: 5 of 5 stars

This wasn’t quite what I was expecting – and all the better for that. I figured this would be more or less a blow-by-blow of the history of the revolution. But this far more than that: Wood is far more interested here in tracing the social, cultural, philosophical, and religious changes from the colonial era through the revolution into the early 19th century.

The overarching changes are from a monarchial, hierarchical society to the classical republican vision of the founders’ era that retained aristocratic elements but grounded these in liberty and virtue and ending with the broader democratic and egalitarian vision of the post-revolutionary period. The revolution, as Woods shows us, was not merely political; not merely a break between England ad the colonies over taxes; it ran far deeper into a rejection of the monarchial, hierarchical society of England (and Europe) – and this cultural break is what leads to need for the political break in 1776.

Woods also details the economic and commercial changes that paralleled but also both a result of and a driver of these social and cultural changes. The flattening of society was part of what allowed people to seek out entrepreneurial opportunities and the wealth created by these success of these opportunities lead to more flattening.

There is less (than I would I like) on the philosophical shifts from the enlightenment philosophy that influenced the founders to the post-enlightenment/romantic ideals that help shape the post-revolutionary period of the early 19th century. The strain of anti-intellectualism that took root continues to this day.

The disillusionment of the founding generation in the success of the revolution is surprising: both in terms of the disillusion itself, but also that much of the disillusionment comes from the success, not the failure of the revolution. That is, that the liberty, pursuit of happiness, and equality they fought for succeeded so well, that it even came for their classical republican aristocratic notions that the founders thought was needed to ground that liberty. They saw this, as Woods tells it, as portending the downfall of the republic. Fortunately, they seem to have been wrong (or a few centuries too early).


View all my reviews

Tuesday, February 24, 2026

Review: The Burning Room

The Burning Room (Harry Bosch, #17; Harry Bosch Universe, #27)The Burning Room by Michael Connelly
My rating: 5 of 5 stars

Harry has a new partner. Like Harry, she is driven by a tragedy from her youth. Together they are able to work and solve two different cases -- though not entirely with satisfaction. Maddie shows up here and there, and continues to work towards being a cop herself. Like all Bosch novels, Bosch has to push against misguided bureaucracies and striving politicians.

View all my reviews

Thursday, February 05, 2026

Review: The Hundred Thousand Kingdoms

The Hundred Thousand Kingdoms (Inheritance Trilogy, #1)The Hundred Thousand Kingdoms by N.K. Jemisin
My rating: 5 of 5 stars

I read Jemisin’s Broken Earth trilogy a few years ago and was blown away by it. The Hundred Thousand Kingdoms is her debut novel and the first book in her series, The Inheritance Trilogy. That it is a debut novel shows a bit, especially already having read her later, more developed and more perfected work. It was actually interesting to see similar themes and ideas from the later series get played with in Kingdoms. It would be inaccurate and short-selling this book to say it was just a first pass with these themes, but Jemisin is definitely exploring similar ideas but without as much skill and depth as she is able to bring to Broken Earth.

Like in the Broken Earth trilogy, the theme of power and who controls that power are central. The Fifth Season (Book 1 of Broken Earth) begins with the end of world, but eschatological themes run throughout The Hundred Thousand Kingdoms as well.

Nevertheless, I loved this book. I really love the way the story is told. At first, it can be confusing, even disorientating because the narrative perspective is not entirely clear. But there is a good reason for that and it soon makes sense.

It is a such a creative and novel world. While there are echoes of different mythologies from the real world, these are remixed and reimagined in new and inventive ways. The cosmology, if you will, are intriguing. And Jemisin doesn’t go overboard. As with The Fifth Season , the world building is subtle and piece meal. You got what you need for the story while knowing there is so much more.

The ending had a few great twists and was satisfying. Tied things up nicely, maybe a bit too neat, but overall it worked. I’m excited to see where the next books go.


View all my reviews

Sunday, February 01, 2026

Review: Along Came a Spider

Along Came a Spider (Alex Cross, #1)Along Came a Spider by James Patterson
My rating: 3 of 5 stars

This is the book launched that James Patterson and his best-selling Alex Cross series. As the mystery-detective is one of my favorite genres, I figured it was about time I read a Patterson novel. While I enjoyed the book overall, it is a bit of a mess. There are a lot of plot holes and confusing aspects of the characters. The dialog felt stilted at times and there were odd jumps in the story. The mystery itself was interesting – though not completely unpredictable, there were enough red herrings and twists to keep you on your toes. The sex scenes were a bit much and superfluous.

Frankly, as popular as Patterson is, I was a bit surprised the writing was not better (Connelly, for example, is far better). But this is a debut novel, so I suspect (hope) that some of this gets cleaned up as Patterson develops his style.

Cross seems like an interesting character, especially for the mystery genre. His psychologist background gives his perspective a different twist than your standard cop or private eye protagonist. I am curious to see how Patterson develops him more. That said, I’m not jumping into the next book anytime soon, but it is a series I will return to.




View all my reviews

Friday, January 16, 2026

Review: The Hallmarked Man

The Hallmarked Man (Cormoran Strike, #8)The Hallmarked Man by Robert Galbraith
My rating: 4 of 5 stars

I am torn about what I think of this book. I love the characters. Strike and Robin are both great characters: complex emotionally and intellectually, not stereotypical, have good moral centers without being overly idealized caricatures. I enjoy ever moment these two are investigating. The writing is always great: the building of tension, the dialogue, the care of character development for minor characters, the avoidance of tropes. (And the audio narration is some of the best there is. Kudos to Robert Glenister)

But I had two main issues. First the core mystery was too convoluted. The cases are always complex and intricate – that’s what sustains the length of these novels. But there were too man moving pieces here and I sometimes got a bit lost about which case was which or the relevance of a particular witness.

Second, Strike and Robin. I love them as characters, I love them as detecting partners. As star-crossed lovers, they are annoying! There is a lot of internal monologue by each character making unwarranted assumptions about the motivations or thoughts of the other character that then predictably creates drama and misunderstanding between them. There were many times I wanted to reach through the book and slap the pair of them. This has always been a part of these novels, but the volume was turned way up here. Which in some ways that I can’t reveal without spoilers, makes some sense. But it had a tendency to overwhelm things.

This is the weakest, I think, of the Strike series. If I could it would be 3.5/5 not 4/5, but I still enjoyed the book even with these flaws. So 4/5 it is.


View all my reviews

Monday, January 05, 2026

Review: All I Did Was Shoot My Man

All I Did Was Shoot My Man (Leonid McGill, #4)All I Did Was Shoot My Man by Walter Mosley
My rating: 4 of 5 stars

There is a heaviness throughout this book. It is the weight of the past and the present and how the past is constantly there in the present. McGill is trying to fix his past, out run it, make amends for it, and yet it hangs there on him, pushing him down, tripping up his present. Many of the other characters are also weighed down by their past and how it is shaping their present. This heaviness of the past underlies a lot of the plot and character motives. Some of the characters are able, seemingly, to move into the future despite (or because) of their past, while this weight crushes others.

The relationship between fathers and sons is a theme in all the McGill books, and it is touched on here as well. McGill is seeing his sons in new ways here. I expect that with Twill now working with McGill, as well as another revelation (no spoilers); this theme will continue to be explored more deeply in the series.

Like the previous books in the series, the plot is not always clear; I often lost the flow of the underlying whodunit part of the story. That’s a weakness to the series, but the characters and dialogue are so captivating, and Mosely’s style and language is so beautiful, it doesn’t really bother me too much.




View all my reviews

Monday, December 22, 2025

Review: Tyrant's Throne

Tyrant's Throne (The Greatcoats #4)Tyrant's Throne by Sebastien de Castell
My rating: 5 of 5 stars

This book finishes the Greatcoats quartet. I really enjoyed this series. It hits many of the things that I love: snappy dialogue, swashbuckling heroics, characters with solid moral cores, creative world building, and exciting storytelling.

View all my reviews

Sunday, December 21, 2025

Review: Harry Potter and the Chamber of Secrets

Harry Potter and the Chamber of Secrets (Harry Potter, #2)Harry Potter and the Chamber of Secrets by J.K. Rowling
My rating: 5 of 5 stars

Wonderful to be back at Hogwarts! The performances are great -- though Snape's voice is not quite right. Somehow just not slimy enough.

View all my reviews

Thursday, December 11, 2025

Review: Split Second

Split Second (Sean King & Michelle Maxwell, #1)Split Second by David Baldacci
My rating: 4 of 5 stars

The plot was a bit convoluted and far fetched, but I like the characters of King and Maxwell. I think they work well together and make for good partners. Baldacci always does a good job of building suspense and keeping the reader engaged and wanting to know what is going to happen.

View all my reviews

Saturday, December 06, 2025

Review: Robert B. Parker's Fool's Paradise

Robert B. Parker's Fool's Paradise (Jesse Stone, #19)Robert B. Parker's Fool's Paradise by Mike Lupica
My rating: 4 of 5 stars

I really liked want Coleman brought to the Stone series: he pushed Stone in new directions. Lupica picks this up, but just isn't quite as capable as Coleman. Lupica is good; and the story is enjoyable. He's not though really able to push Stone. He's taken what Parker and Coleman have done and can continue it, but not as likely to do much more. It's hard to pinpoint, but Coleman, like Parker, was able to balance the action, plot, and introspection. Lupica doesn't seem to hit this balance right. I noticed the same thing in his Sunny novels (which doesn't bode well for Spenser that he's recently taken over).

One thing that bugs me about Lupica's style is that there are far too many "he said" "she said" "Stone said, Molly said." Need some of that, but not after almost line of dialogue. On the audio, it's very distracting.

I liked having more Molly; there is a lot to develop with her the way Coleman expanded Suits.

View all my reviews

Thursday, December 04, 2025

Review: Robert B. Parker's The Bitterest Pill

Robert B. Parker's The Bitterest Pill (Jesse Stone, #18)Robert B. Parker's The Bitterest Pill by Reed Farrel Coleman
My rating: 5 of 5 stars

Coleman brings his noir-style Stone to its fullest expression in this one. There were some dark moments, some good twists, and red herrings. I really like Coleman's Stone. I wish he was continuing with the series, I would have like to see where he took it. He didn't try to imitate Parker's style but staying true to the core.

View all my reviews

Saturday, November 29, 2025

Review: Robert B. Parker's Colorblind

Robert B. Parker's Colorblind (Jesse Stone #17)Robert B. Parker's Colorblind by Reed Farrel Coleman
My rating: 5 of 5 stars

This was a really interesting Stone novel: several interesting, though not entirely surprising, twists here. Coleman continues to push the series in new directions and I like it.

View all my reviews

Wednesday, November 26, 2025

Review: Summer of Our Discontent: The Age of Certainty and the Demise of Discourse

Summer of Our Discontent: The Age of Certainty and the Demise of DiscourseSummer of Our Discontent: The Age of Certainty and the Demise of Discourse by Thomas Chatterton Williams
My rating: 4 of 5 stars

This is a pretty wide ranging book, especially for its length, that covers a period of recent history and the convulsions of that time. It is an important book to mark and document much of the craziness of that period: roughly from the election of Obama to the Hamas genocidal attack of Oct 7. Williams examines the election and responses to Obama's election, the rise of Trump, COVID, George Floyd and BLM, the loss of objectivity and standards in journalism, cancel culture, Jan 6, and Oct 7.

Williams does a good job of laying things out. He is deeply knowledgeable, careful, and nuanced in his presentations. He is a wonderful writer; and reads his text perfectly for the audio. But the main failing of the book is that Williams doesn't do enough to draw the underlying threads of these trends into any thing approaching a unified set of explanations or diagnosis; and so he fails also to offer much of prescription for what ails. It is a good time capsule of book (which is important) but doesn't offer that much beyond that.

View all my reviews